Now Let Us Revise
March 13, 2018I asked five diverse scholars to answer the question: What would you change in Mormon musical practice? Here are their replies. —Editor
I asked five diverse scholars to answer the question: What would you change in Mormon musical practice? Here are their replies. —Editor
Do not think of your suffering.
Release it
through your breath
into the flute.
“The music keeps going and never stops,”
I tell my son—“Until the bar line?”
Of course, until the bar line.
He moves his fingers into place with effort,
As if moving in the third person;
As if they are thin sausages on sticks.
A horse-drawn carriage
passes by in another
age—leaves of ash
The church’s framework swayed in the air.
Inside, big women with big grief
swayed with all their weight inside, and sang
big songs to bloom big flowers
I had no rhythm that day on the bench
sitting in shade, under the oaks and palms.
My thighs stuck to the green bars,
legs going numb.
I wanted to stop thirsting.
(((some 50 days later)))
nostalgia tempts us—to long for early spring and the newly risen—
the surprise at the open tomb
the gingersnaps & the whoopie pies & today
(in which mormons worldwide, on easter 2015,
do NOT have church service or partake of god’s flesh & blood)
Hsie T’iao** writes a complaint near the Jade Stairs:
o here
lord—here
is a platter of treats & refreshment
in that high priest’s hands—
muted to inspiration
since god isn’t here