Dialogue 51.3 (Fall 2018): 185–192 “As much we may hope that one would disregard the explicitly racial teachings of the past, the significance of corporeality in the Mormon imagination is such that Mormonism’s racial […]
A drive for its own sake five o’clock on a lazy New Year’s Day, our kids, aged two and one, coming down from the cocktail of cousins and sugar.
[…] authors, both real and imagined. Thus, mentions of the made-up Salgado-MacKenzie are intertwined with references to real- world authors like Clarice Lispector and Elizabeth Bishop. Like good postmodern novels, this one is heavy with […]
[…] employing collage to bring more dimensionality and complexity to his endeavors. While living in New York City, the Casa Frela Gallery displayed two of his artworks during the 2013 Harlem Art Walk Tour (HAWT). A […]
Since hope is a thing with feathers that perches in the soul, Then, belief is the feather vane holding it together.
[…] Agree. Endorse. Will read again.) It was something so much bigger than finding people with the same world view. Rather, I felt sustained by the endeavor I found both Nibley and Dialogue engaged in—fingernails […]
[…] we have several chapters that delve into Leonard’s family, early life, college years, and his service during World War II in Italy, along with his courtship and marriage to Grace. An entire chapter dives […]
[…] speak to that complexity is laudable. The Mormon religion was more than a different color: like the world seen through a kaleidoscope, it contained hues that entirely subverted the color spectrum. W. Paul Reeve. […]
[…] worker. But I still wanted to remain close to home. I saw my part of making the world a better place by working on Exponent II. My wonderful women friends and I had talked […]
Morning light pierces the green canopy. There is weightiness to this place. This place has known God. Its very existence glorifies him, yearns for him.