Contents

Articles

The Politics of Mormon History



Upon assuming the Leonard J. Arrington Endowed Chair of Mormon History and Culture at Utah State University, I have to acknowledge two special individuals upon whose broad shoulders I stand. The first is the chair’s…



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The Quest for Universal Music in the LDS Children’s Songbook



Over the years, the leadership of the Church of Jesus Christ of Latter-day Saints has expressed a set of theories about the nature and purpose of music. Elder Bruce R. McConkie asserted a divine origin of music: “Music is given of God to further his purposes.” Former Church President Heber J. Grant proclaimed the evangelical power of music when he said, “The singing of our sacred hymns, written by the servants of God, has a powerful effect in converting people to the principles of the Gospel, and in promoting peace and spiritual growth.”



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Fiction

Mormon Saga



Dust clogged my nose and the strong smell of horses, the clump, clump of their hoofs regular-like and slow, the heavy creak of the wheels, and over and above everything else, like sad heartbeats, the solemn thud, thud of the muffled drums. A sort of sigh went over all the multitude, and a woman sobbed out loud once. But mostly folks were quiet. A hush and a fear like the day of doom. You didn’t dare look, and yet it was like something glued your eyes toward that wagon passing, the stars and stripes with the black crepe edgings fluttering clean to the wheels.



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Personal Voices

Archive of the Covenant: Reflections on Mormon Interactions with State and Body



Dialogue 53.4 (Winter 2020): 79–107
In the logic of Mormon theology, an internal lack of faith is in part a result of the mismanagement of my mortal embodiment. Part of the reason that the “born this way” language of the marriage equality movement has had so little effect on the Mormon population compared to others is that it directly contradicts very recent and revered theological claims.



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Tikkun K’nessiah: Repairing the Church



The Jews have a term, “Tikkun olam,” which means “repairing the world.” It is both a statement of belief and a commitment to action by individual Jews to heal, repair, and transform the world. Appropriating the concept and inspired by the Jewish passion for repairing the world, I have coined the term “Tikkun k’nessiah”—meaning repairing or healing the Church. In this essay, I hope to explore the dimensions of what “Tikkun k’nessiah” may mean to those of us who are members of the restored Church at this critical juncture in its history.



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Poetry

Reviews

The Tapestry of Mormonism, Woven Larger | Mette Harrison, The Women’s Book of Mormon: Volume One



At the end of the nineteenth century, Elizabeth Cady Stanton, having semi-retired from her fight for women’s suffrage, decided to create what would come to be known as The Woman’s Bible. This biblical production sought to academically redress gender as it was then seen in the primary text. By working with a group of scholars and translators to re-navigate the conceptions of gender in the narrative, Stanton sought to radically liberate women from their contemporary oppressions, which she saw as being caused at least in part by the machinations of religion. I begin this review by turning to Stanton’s work because I believe Mette Harrison’s The Women’s Book of Mormon: Volume One is delving into similar territory by telling the story of the Book of Mormon through lenses, points of view, and characters that are rarely, if ever, seen in the text: the woman, the transgender person, the homosexual, the bisexual, the genderqueer, the asexual, the widowed, the unmarried, the demisexual, the nonbinary being, and more.



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Volume Art