Follow Me, Boys
March 21, 2018[…] and what you could do with it—well, why wouldn’t you try something like this if it could buy you your dreams? What are your dreams, anyway? What do you want?” Ginni froze. No way […]
[…] and what you could do with it—well, why wouldn’t you try something like this if it could buy you your dreams? What are your dreams, anyway? What do you want?” Ginni froze. No way […]
Steven Orton, Remembering Dialogue Gary Hernandez, Thoughts on Dialogue Michael E. McDonald, Scriptural Cosmology Lane Twitchell, An Artist Declares His Independence D. Michael Quinn, Filling Gaps and Responding to “Silences in Mormon History”
[…] worldwide membership is concentrated in Latin America, compared to about 45 percent in the United States and Canada. By 2020, the majority of Mormons in the world will be Latin Americans, if the current […]
[…] as it relates to historical narratives and mythologies. The work often prioritizes the poetry of religious text over dogma or historical accuracy. Stylistically it often bridges or walks a tightrope between classical and abstract […]
[…] Harvard Divinity School with a master’s degree in theological studies, emphasizing in women, gender, sexuality, and religion. He plans to apply to graduate programs in law and literature. He blogs at amclain.com and socials @adamjmclain
[…] is also an artist and whose work will be featured in the next issue of Dialogue, lived for many years in Los Angeles before moving to Salt Lake City. They now live in the […]
Ross C. Anderson, A Call for Compassion John-Charles Duffy, Clarifying My Own Stance Cheryl L. Bruno, Asherah Alert Kevin L. Barney, Kevin Barney Responds William P. MacKinnon, Rest of the Story
[…] evocative title. The poem’s protagonist, however, is a high priests’ quorum instructor named Melvin, who was married for fifty years to a Mormon woman before he joined the Church and took his wife to […]
Two analogies occurred to me as I developed this essay—first, that of a dialectical assertion with its thesis, antithesis, and subsequent synthesis. The second analogy, more visual, is of a triptych, with two opposing […]
[…] Park Chapel. (For more on that, including a history of places the Church has met in Cambridge over the decades up through the dedication of the Longfellow Park Chapel in 1956, and beyond, see […]