[…] in the Church over the last half-century, much remains the same. Women consistently make up less than 3 percent of quotations in general conference. They are still described in terms of their appearance and […]
[…] Humanities. They have two sons–Max (19) and Jack (17)–and two cats–Fabian and Pepper. Steve mostly writes music for chamber ensembles or soloists that often includes electronic sounds and that occasionally incorporates theatrical elements–more information […]
Editor Kristine Haglund was tapped for quotes on Mormon motherhood in light of the remarks on Ann Romney’s motherhood in both <a href=”http://www.buzzfeed.com/mckaycoppins/why-ann-stayed-home”>Buzzfeed</a> and <a href=”http://www.salon.com/2012/04/20/the_rise_of_the_mormon_feminist_housewife/singleton/”>Slate</a>: “The strong prescription that women should not work […]
[…] as “a marvelous work and a wonder!” To use Emerson’s image, England’s lengthened shadow continues to fall over both the institutional Church and Mormon culture twenty years after his passing. Given the quality of […]
[…] happen. If you put me in the same situation again, if I had to do it all over, we all know that I would say the exact same thing. Even when Brother Richardson cornered […]
[…] continue as an annual subscriber at $60 a year. As we are now provide digital content free for all, if you do not want a print subscription, please feel free to Donate here. Click here for […]
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[…] undergird Mormon artistic renderings of the divine. London-based American artist Lisa DeLong’s The Key of Knowledge (fig. 6) is one of the most extraordinary examples of this type of religious art. DeLong’s art, which […]
[…] ed., Beyond the Witch Trials: Witchcraft and Magic in Enlightenment Europe (Manchester, UK: Manchester University Press, 2004) 6–7. Thomas Waters, “‘They Seem to Have All Died Out’: Witches and Witchcraft in Lark Rise to […]
[…] rusted as a result. But, on the positive side, all the gardening/vineyard metaphors in scripture are much more meaningful – especially the ones where the gardener is completely flummoxed by what the garden is doing.