Dialogue 8.1 (Spring 1973): 78–86
Responding to Bush, Eugene England compared the story of Abraham which is uncomfortable for him calling it a cross, to the church wide policy of denying anyone who has black ancestry the priesthood and temple blessings which even though he is uncomfortable with it he does trust in continuing revelation by our prophet.
Dialogue 16.3 (Autumn 1983): 68–69
I would like to discuss teh social experience of historical Latter-day Saint single women in the context of five questions: (1) Does she have an acceptable reason for being single? (2) Can she provide for her own economic security? (3) What place does she occupy in her family of origin? (4) Can she contribute to her community in a way that she will be rewarded for? (5) What was the emotinoal life of a single women in past generations?
Dialogue 18.2 (Summer 1985): 116–127
Women in the Mormon Church are encouraged toward traditional roles and attitudes that discourage personal, familial, and societal change. The ideal female role is that of a non-wage-earning wife and mother in a nuclear family where the husband is the provider and the woman’s energies are directed toward her family, the Church, and perhaps community service.
Dialogue 23.3 (Fall 1990): 65–82
Evidence from Mormon women’s journals, diaries, and meeting
minutes tells us that from the 1840s until as recently as the 1930s,
LDS women served their families, each other, and the broader community, expanding their own spiritual gifts in the process.
Dialogue 52.1 (Spring 2019): 17–32
I do not lend the weight of truth to the language of ritual. Such language is symbolic. But even in the context of symbolism, language that is so preferential toward men and dismissive of women—especially when such language more aptly demonstrates the bias of the writers than the purpose of the ritual—needs to be removed.
by Michael Hicks I’ll never forget the first time I heard my mother swear. I was in my thirties and had finally decided to talk to her about her second husband, whom she’d married when…
Title: The Book of Mormon: A Biography
Editor: Paul C. Gutjahr
Reviewed by Blair Hodges
The Book of Mormon, that curious text said to be dug from a hill in upstate New York and translated by the gift and power of God, has been reincarnated over its 180-plus year lifespan into an interesting variety of bodies: from its various print editions, to films in silent black-and-white and full color, as children’s editions and comic books, even inspiring an award-winning Broadway musical. It’s spawned paintings, cartoon show episodes, and action figures. Since its birth in 1830 the Book of Mormon has been argued over and analyzed in print—approaches ranging from polemical to academic and any mix of the two. Most significantly, it has served as a key religious devotional text within the still-growing branches of Mormonism, the most prominent being the Church of Jesus Christ of Latter-day Saints, which has shepherded the text through translation into 109 world languages from Afrikaans to Zulu, with more on the way.1 All of this and other interesting elements of its impressive life are explored in Paul C. Gutjahr’s The Book of Mormon: A Biography, part of Princeton University Press’s impressive new “Lives of Great Religious Books” series—handsome little clothbound volumes short enough to get through in one or two sittings.
Title: Rube Goldberg Machines: Essays in Mormon Theolog
I watched Groundhog Day the other night. I’ve owned the DVD for years but never tore the plastic wrapping until Adam Miller put a bug in my ear via one of his theological essays. (It was just as good as I remembered it!) Miller, the theological film critic. I laughed when Phil, Bill Murray’s character, punched Ned Ryerson in the face at a busy intersection and I teared up as he fruitlessly pummeled the chest of a dying homeless man in a freezing alleyway. “Come on, pops, come on pops, don’t die on me.” Watching Phil struggle through incomprehension, laugh at absurdity, and find joy in relationships, reminded me a lot of reading Miller’s book. I’d already read great reviews of it, I couldn’t wait to get a copy. But I hit many more brick walls than I anticipated. This deceptively thin volume will take much more of your time than you might think. It felt at times like the alarm clock kept hitting 6:00 AM, February 2, and I was in for another round of difficulty. Not that all the essays were the same, but that they were each difficult in their own way. It’s way above my level to feel confident in doing this, but my review is an attempt to help readers like me have a better chance at making it through the book.
Anything but OrthodoxMatthew James Babcock. Heterodoxologies: Essays. Butte, Mont.: Educe Press, 2017. 204 pp.
Reviewed by Elizabeth Tidwell. Published in Dialogue, Fall 2017 (50:3)
I was nineteen years old when I first learned about the essay form. I was enrolled in an introductory survey of creative writing, sitting in a middle row of pocked and drab desks in a windowless classroom when the instructor drew a daisy on the board to illustrate the fragility of the essay form—how distinct petals of thought all encircle and emerge from the central theme and become something more beautiful in juxtaposition and conversation. That moment was a lightning bolt moment for me: This is how my brain works! And so I became an essayist.
The instructor that day was Matthew James Babcock, or Brother Babcock as I knew him at BYU–Idaho. That day was just a few months shy of ten years ago and my first lesson in the essay, but not my last. Before graduating from BYU–Idaho, I took a second class with Brother Babcock, this one focused solely on writing the essay. His lessons have stayed with me, shaped me. So, when I heard about his recently published debut essay collection, I couldn’t wait to learn from him again. Within minutes of opening Heterodoxologies, I felt Babcock’s presence almost tangibly. The collection is reminiscent of my classroom experiences with him at the helm: moments of profound insight sprinkled with healthy doses of goof. But this time the only prerequisite for the course is being human, of any variety: a music lover; a seventh grader; a bowler; a thinker; a dad; a dreamer.
2021: Spring Issue, Dialogue 54.1, (Spring 2021). “Queer Mormon Histories and the Politics of a Usable Past” by Alexandria Griffin “The Theological Trajectory of “The Family: A Proclamation to the World” by M. David Huston…