
Dallas Robbins
DALLAS ROBBINS {[email protected]} lives in the great downtown of Salt Lake City, earned an interesting if somewhat useless degree from the great school of the runnin’ Utes, on occasion written for a good number of the usual suspects in and around these parts, and was a podcaster for a hot minute eleven years ago. But as the old washedup Irish band once sang, he still hasn’t found what he’s looking for. If one has any good music or book recommendations, drop him a line at [email protected]. Or he’s always up for a good lunchtime discussion or debate over Rousseau versus Voltaire, or even Paul versus Peter. Either way, he strives to live by the idea that serendipity is the mother of invention or at the very least the step-child of a lost weekend. That’s where all the best stories come from.
Letters to the Editor
Articles/Essays – Volume 24, No. 3
A Gift of Empowerment, Kimblee Staking
Copying, William L. Knecht
Spiritual Food, Dallas B. Robbins
Those Offending Covers, Stanley B. Kimball
A Fundamental Difference, Craig B. Wilson
Review: An Honorable Testament to a Legacy Gregory A. Prince. Leonard Arrington and the Writing of Mormon History
Articles/Essays – Volume 49, No. 4
Marrow: A Review of Richard Dutcher’s Mormon Films
Articles/Essays – Volume 42, No. 2
In Richard Dutcher’s latest film Falling, a rich scene revealing the subtle conflict between the demands of commerce and artistic endeavor is focused around the word marrow. The protagonist, lapsed Mormon Eric Boyle, a suffering videographer and aspiring screenwriter, is failing to sell his latest story to a well-tanned and successful Hollywood producer. After rejecting Eric’s work, the producer complains to him that if he wants to make it in the film business, he needs to do something different, something new.
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