Artists

NATHAN SAMUEL FLORENCE {[email protected]} is a Salt Lake City–based artist and filmmaker who paints in oil, often on woven brocade or printed cloth. He describes his paintings as narrative/figurative in that they often portray figures in some gesture or action that seems to spring from a story. He allows the patterns of the cloth to show through the paint to varying degrees which, he says, “relates to the patterns and textures that hold our lives together individually and bind us together culturally.” Nathan’s work can be seen at Modern West Fine Art and at www.nflorencefineart.com.

PAIGE ELIZABETH ANDERSON {[email protected]} graduated with a BFA from Brigham Young University in 2011 and has participated in multiple juried and group exhibitions every year since. Her work seeks to explore how space—whether physical or emotional—is made sacred through repeated events. The use of methodical processes and repetitive forms reference the quotidian routines that make up daily life, the succession of daily rituals that eventually stack up like repeated miracles and create meaning. Methodical processes also underscore the connection her work has to traditional women’s work—like quilting—as well as daily family rituals, ceremony, and pursuing genealogical research. This work is an outgrowth of interest in ancestry and patterns that form through families by exploring the idea that she is but one on a string of genetically-linked individuals. This notion has profound implications: that events give birth to events, changes to changes, and actions to actions. Her work is represented by Meyer Gallery in Park City. She lives and works in Salt Lake City and often enjoys time in the studio with her two daughters at her side.

CHRISTIAN DEGN is an art student at Utah Valley University. His work has been included in printed publications like Black Metal of The Ameri￾cas, Touchstones, and Dead Wood and Rushing Water. He has also worked alongside musicians locally and internationally to provide illustration and visual direction for a number of releases.

CASSANDRA BARNEY {[email protected]} received her master’s degree in Fine Arts from Brigham Young University in 2000. Her artwork can be seen in galleries across the United States. She is currently working on ballet costume and set designs for Utah Regional Ballet.

TOM PLUMMER {[email protected]} spent his “first career” as a professor of German, specializing in German cinema, literature, and art up to 1933. He spent a great deal of time on German expressionism, having been smitten by artists who dared to use brilliant cyans, magen￾tas, and goldenrods, and to frame their work in defiant angles and alien shapes. When he took up painting in retirement, he returned to that paradoxical world where he began. He has struggled to paint with emo￾tion, to slosh on clashing colors and lines, which lead in unpredictable directions, and which embrace an ironic view. He cannot escape the oxymorons that bubble up from those early works of art.

Leslie O. Peterson {[email protected]} came to art not by design, but by serendipity. In 2011 she enrolled in a community art class with a son-in-law who had recently suffered a stroke. Though she meant the course as a form of therapy for him, she was captured in an instant and has been a painter of prolific output ever since. Peterson is best known for her charming, whimsical series of portraits titled “The Forgotten Wives of Joseph Smith.” Peterson decided to paint Smith’s wives after reading an essay about them on LDS.org. She says that working on the portraits was her way of celebrating their reappearance in Mormon awareness and bringing them to life in Church history after a long absence. In the piece that appears here, Peterson pays homage to the first issue of Dialogue and its original cover.

TYLER SWAIN {[email protected]} From a very young age, Tyler has been interested in creating things. At the age of eight his parents enrolled him in private art lessons, where he learned the fundamentals of drawing and design. Years later he pursued art at the college level, first at Snow College, where he received an associate’s degree, and finished at Utah State University earning a BFA in drawing and painting. Tyler has been the recipient of many awards and scholarships including the George and Marie Eccles Caine Endowment and the Outstanding Senior Award. In 2015, Tyler was featured by Southwest Art Magazine as one of “21 Under 31: Young Artists to Watch.” Tyler is a current member of the International Guild of Realism and has exhibited his work in the western United States and Japan. He currently lives and works in northern Utah

Hildebrando de Melo (born 1978) is an Angolan visual artist. De Melo grew up in Portugal where he lived with his grandmother, converted to the Church of Jesus Christ of Latter-day Saints, and where he began art. He returned to Angola and pursued his art career. Throughout his career, he has displayed his artwork in multiple exhibits around the world. He has won awards for his art. He is largely self-taught and some of his artwork is politically motivated and includes paintings, drawings, sculptures and multi-media. His art is also personal to his life, with his experiences being the subject matter of many of his art pieces.

CASEY JEX SMITH received a BFA in Painting from Brigham Young University and an MFA in Painting from the San Francisco Art Institute. He currently resides in Provo, Utah with his wife and fellow artist Amanda Smith and their two children and works as a UX Designer. His art has been exhibited at The Drawing Center, Yerba Buena Center for the Arts, Josée Bienvenu Gallery, Yancey Richardson Gallery, Roberts & Tilton, Galerie Polaris, and Allegra LaViola Gallery. Casey uses the structures of role-play-gaming and religious ritual to create allegorical drawings. Leveling up, isometric perspective, character creation, quest items, mythical beasts, and battles are used to mirror real life scenarios where the individual butts up against institutional power structures. He contrasts the reward system in gaming that is finely tuned to balance work with pleasure to the unequal reward system of global capitalism. His visual style draws largely from the study of master etchings, Dungeons & Dragons manuals, Biblical narratives, Minimalism, and underground comics.