DiaBLOGue

Scripture, History, and Faith: A Round Table Discussion

Participants

Todd Compton: Ph.D., classics, University of California, Los Angeles. Dean, Graduate Studies, Park College, Independence, Missouri; Director, Temple School Center, Reorganized Church of Jesus Christ of Latter Day Saints, Independence, Missouri. 

Steven Epperson: Assistant Professor of History, Brigham Young University, Provo, Utah, specializing in American religious history and history of Christian doctrine. 

Mark D. Thomas: Scriptural Studies Editor, Dialogue: A Journal of Mormon Thought. 

Margaret Toscano: Ph.D. candidate, comparative literature, University of Utah, Salt Lake City. 

David P. Wright: Assistant Professor of Hebrew Bible and Ancient Near East, Brandeis University, Waltham, Massachusetts.

Black Moroni

Painted on the wall behind the seats where choir sings 
See the shining figure in a steep green wood 
Angel wears a shirtwaist robe, fabric wing as thin as filament
He looks downslope where Joseph kneels, treasure spread in dirt

A Mosaic for a Religious Counterculture: The Bible in the Book of Mormon

Dialogue 29.4 (Winter 1998):59–83
THE BOOK OF MORMON HAS OCCASIONALLY been portrayed as a deficient
first novel. Its characters appear flat and stereotypical; the plots and char￾acters seem to lack moral subtlety; and so on. Should we wonder that to￾day’s high literary circles ignore it?

Life-line

Tonight I wear your dress 
like a shell to my most graceless springing. 
The brown velvet shimmers with the folds 
and the tucks hang like loosely gathered wind, 

Silver Footprints

Neither masculine nor feminine a powerful 
androgyny like wind surrounding shoulders
of a crowd, drawing in, along, persuasive as scent. 

Alaska Girlhood

Eden was a winter 
when gods skated the earth. 
They’d warm themselves by the fires 
that lit the man-high snowbanks