DiaBLOGue

Heretic and the Inversion of the Mormon Endowment

The opening credits of Heretic immediately immerse the viewer in mystery, as the title appears above a series of cryptic glyphs: 𐐐𐐆𐐊𐐆𐐓𐐌𐐕. To those steeped in Mormon lore, these symbols spell “Heretic” in the Deseret…

Christmas is Music

Christmas is Jesus. Christmas is music, too. Even during a pandemic, I’ve had live carolers at my door. When in-person performance isn’t possible, we listen to recordings of choirs performing Handel and his classical Messiah. There’s the comfort of the Vince Guaraldi Trio—piano, bass, and drums—in the background of A Charlie Brown Christmas. There’s even that one radio station that plays Christmas music 24/7 all month long. It’s the station that reminds us that not all Christmas music was composed equally! Though the Gospel of Luke makes no mention of music, when we read of angels announcing Jesus’ birth to shepherds, we often imagine the heavenly host singing rather than speaking: “Glory to God in the highest, and on earth peace, good will toward men” (Luke 2:14). And thus, music is tied to the shepherds, the angels, and the birth of Jesus.

The First Letter She Found

Oh Ellie, how to start? I keep thinking about the temple. I guess I’ll start there. I put my temple clothes and my garments in a bag and buried the bag in the back of…

Christian Laboratory: Mormon and Protestant Missions in Ideological and Geographical Peripheries | David Golding and Christopher Cannon Jones, eds., Missionary Interests: Protestant and Mormon Missions in the Nineteenth and Twentieth Centuries

The book Missionary Interests: Protestant and Mormon Missions in the Nineteenth and Twentieth Centuries, edited by David Golding and Christopher Cannon Jones, provides a significant contribution to the historiography of Christian missions by comparatively examining…