DiaBLOGue

Art and Half a Cake

On Saturday mornings, mother baked good bread. 
She always called my two sisters, 
My two brothers, and me 
To come and eat the crusts hot, 
Spread with butter and strawberry jam 
Made from strawberries she had picked and washed. 

Form and Integrity

I’ve always wanted to be an artist. Somehow I thought that meant that I had to live like an artist—to find a lifestyle and an art form that is consistent with the ideals I want…

Out in Left Field (A True Story)

With apprehension I agreed to allow the new girl at Manetamers to cut my hair. Really I had no choice. My hairdresser had run off to Texas with one of the sales reps in the…

Making Sense of Suffering

My tale begins in 1983—the year I turned thirty years old. It was definitely prime time. I had (and still do have) an incredibly fulfilling marriage with my husband, Lee. Our poverty-stricken years in graduate…

My Mormon Grandmother

“Another girl.” 
            Unheralded birth 
                        Beginning nothing. 

The Extraordinary in the Ordinary: Women’s Stories, Women’s Lives

Dialogue 25.2 (Fall 1992): 75–96
The personal essay, unlike personal journals, letters, and oral histo￾ries, is not an artless form. It transforms the raw material of personal experience in the double crucible of carefully chosen language and the light of mature retrospection.