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Thoughts on Latino Mormons, Their Afterlife, and the Need for a New Historical Paradigm for Saints of Color

October 26, 2018

The following thoughts come from my experience as a faithful and ortho dox Latter-day Saint, as a Mormon bishop, as a critic of some aspects of institutionalized Mormonism, and as an activist and scholar of faith navigating what is and has been for most of my life a complicated environment where racial/ethnic issues are ever present but rarely discussed in ways that bring closure. My particular scholarship and activism on behalf of Mexicans and Latinos is encapsulated within this setting and I admit that I have not been freed from the complication that it brings to my faith except for those moments when I immerse myself in those Latino Mormon spaces that are my Spanish-language barrios (wards).

“Infected With Doubt”: An Empirical Overview of Belief and Non-Belief in Contemporary American Mormonism

October 26, 2018

Daniel, twenty-eight, is an active Church member and temple worker who served a mission and now holds a calling as a young single adult representative for his stake. He says he has both seen and performed miracles, and has a strong belief in Jesus Christ. But he has also struggled at times with doubt, which he says has “come along in many different forms” throughout his adult life.

Thoughts on Lane Twitchell

October 26, 2018

The German painter Gerhard Richter once wrote: “I like everything that has no style: dictionaries, photographs, nature, myself, and my paintings. (Because style is violent, and I am not violent).” Lane Twitchell is an artist whose particular skillset produces immense works that are both furiously energized and so stylistically distinctive that one could recognize one of his paintings even if obscured by the most impervious haze the Wasatch Front is capable of generating. By contrast, Lane also sometimes makes pictures that self-consciously eschew “style” with a commitment very likely borne of his first direct encounter with Richter’s work, visiting a Virginia gallery a missionary for his natal religious tradition in the mid 1980s. So Lane works in two very different but not unrelated modes, each tied in its own way to his distinctive creative tools. Lane’s work is ferociously intelligent, frenzied, brimming with ideas, occasionally political, and above all a sheer pleasure to look at.

What Does It Mean to Be Truly Christian?

October 26, 2018

The bishop is taking a risk letting me speak because I have a reputation of being a bit different, but he has reviewed my talk and doesn’t think I’ll do much damage. I have also…

When Feminists Excommunicate

October 26, 2018

Dialogue 50.1 (Spring 2017): 183–192
I am concerned about the ways in which I see patriarchy swallow up the demands of feminism and use them against women. Each time we gain som

Lapsing into Daredevilry | Shawn Vestal, Daredevils

October 26, 2018

It’s a hard truth: you have to be damn smart to be a writer of good fiction. If you’re dumb, forget it. You have to hear words in your head—and who doesn’t? But you also have to know how to put them together in a sentence that’s not only grammatical but original in its context, truer than any other sentence could possibly be. Then you have to do that with paragraphs and chapters in the service of a whole whose shape knocks readers right out of unconsciousness, makes them alive, blasts their eyes open so they see the world new.

Just Saying | Stanton Harris Hall, Just Seeing

October 26, 2018

Stan Hall was one of Dialogue’s most enthusiastic volunteers back in the ’70s when I was its editor. We published some of his poetry then and were sorry when he moved back to his home turf in the Northwest. I was therefore happy to see that he had continued to hone his poetic gift in his privately published collection Just Seeing. The quality of this work causes me to hope that it will be read beyond his family circle, extending even into a second volume, perhaps entitled Just Saying.