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Ministering Angels: Single Women in Mormon Society

Dialogue 16.3 (Autumn 1983): 68–69
I would like to discuss teh social experience of historical Latter-day Saint single women in the context of five questions: (1) Does she have an acceptable reason for being single? (2) Can she provide for her own economic security? (3) What place does she occupy in her family of origin? (4) Can she contribute to her community in a way that she will be rewarded for? (5) What was the emotinoal life of a single women in past generations? 

Missing and Restoring Meaning

Fifty years ago I was living in Cambridge, Massachusetts in a shotgun apartment just off Mass. Ave. at Central Square: 22 Magazine Street, Apt. 3. Spring 1971 marked the last months of my master of…

Ace of Saints

Dialogue 53.2 (Summer 2020): 108–123
I felt free. I felt empowered. I might fall in love and get married, or
I might not. Either way would be fine. I didn’t need to have the same
life path as all of my friends and family. I realized that I am the way I
am, and I couldn’t change it. I needed to respect it. I had to listen to
myself, and not to everyone around me, including Church leaders. I
had to follow my heart and do what makes me happy, and it would all
get figured out in the end.

Mormon Women and the Struggle for Definition

Dialogue 14.4 (Winter 1981): 40–47
I am sensitive to that steadying hand as I attempt to identify and define what for an earlier generation of women identified and defined them as women—their relationship to the Church. 

Patrick Mason at Miller-Eccles

Patrick Mason, newly-appointed Hunter Chair of Mormon Studies at Claremont Graduate University, will address the Miller-Eccles study group on September 16th and 17th. THE TOPIC: In addition to outlining plans at Claremont for the coming…

Review: Joanna Brooks, “The Book of Mormon Girl: Stories From an American Faith”

You’re sure to hear a few such discordant notes as Brooks’s fingers glide up and down the scale, but to focus on such slips overlooks the book’s overall melody, the song of a Mormon girl whose nascent faith is challenged, lost, found, and refined by fire throughout. She’s the prodigal daughter telling only a little about years of riotous living, more about the faith of her youth and the re-visioned faith of her adulthood. Memoirs aren’t intended to tell a disconnected story of one’s life, but to invite readers into an intensely subjective world. The best memoirs aren’t written as how-to manuals (like the Marie Osmond brand beauty and fashion instructions Brooks read as an awkward, body-conscious young girl. You’re sure to laugh out loud as she spends a chapter pillorying such fluff). Instead, as theologian Dietrich Bonhoeffer observed, good memoirs awaken “a sense of what it might be like to be someone else or to live in another time or culture, and they tell us about ourselves, stretch our imagination, and enrich our experience.”2 American publisher William Sloan says readers of such works are not so much saying to the author “Tell me about you,” but rather “Tell me about me; as I use your book and life as a mirror.”