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Negotiating Black Self-Hate within the LDS Church

Dialogue 51.3 (Fall 2018): 29–44
Smith considers “why would any self-aware Black person find Mormonism the least bit appealing given its ignoble history of racial exclusion and marginalization?”

LGBTQ Latter-day Saint Theology

By Robert A. Rees & William S. Bradshaw Any discussion of theology relating to the Church of Jesus Christ of Latter-day Saints begins with the recognition that traditionally members of the Church have tended to…

“A Style of Our Own”: Mormon Women and Modesty

Clothing has been the subject of scriptural injunctions and aperennial topic of Church leaders’ concern. Subtle changes inboth dress standards and rationales for modest dress in the latterhalf of the twentieth century reflect the LDS…

Mormonism and the New Creationism

Dialogue 34.4 (Winter 2002): 39–59
This paper will deal with a more specific form of creationism, which is often termed “creation science” or “scientific creationism” (these terms
will be used synonymously).

$5 fundraising flurry

windowAs the year comes to a close, Dialogue has fashioned a $5.00 fundraising flurry and invites you to join in. Donating just $5.00 will not only help Dialogue in its quest to continue to be one of the most integral, insightful, and intellectual Mormon journals available, but will also enter you into a drawing for one of four signed copies from these friends of Dialogue (click “Read more” to find out which authors are participating). Drawing will be held January 4th and winners notified soon thereafter.

Book Review: Scott Hales. The Garden of Enid: Adventures of a Weird Mormon Girl.

Laughter, Depth, and Insight: Enid Rocks Them All

Scott Hales. The Garden of Enid: Adventures of a Weird Mormon Girl. Parts One and Two. Kofford Books. Salt Lake City: Greg Kofford Books, 2016. 169 pp. Paperback: $22.95.
Reviewed by Steven L. Peck. Dialogue, Summer 2017 (50:2).
When I was growing up, comic strips provided part of the ontology of my world. I devoured regular comic books, graphic novels, and other bubble-voiced media, but comic strips played a different and more important role than these other closely related forms. It was in the four-paneled strip that I was rst introduced to philosophical thought, political commentary, satire, and the exploration of questions rather than the explication of information toward an answer. Plus they made me laugh. There was a point being made. About life. And often about my place in it. Comic strips were my first introduction into a weird form of deep psychology that let me explore what it meant to be me. The sign on Lucy’s famous wooden stand in Peanuts, offering, instead of lemonade, “Psychiatric Help: 5¢: The Doctor is IN” does not seem an inappropriate way to express one of the functions these comic strips played in my life. I suppose given my age it is not surprising that it was Charles Schultz’s famous comic that proved the gateway drug to my infatuation with the medium.